
–Photo by Ray Van Horn, Jr.

–Photo by Ray Van Horn, Jr.

–Blade Runner 2049 still courtesy of the public domain

The good ol’ days of pulling horror treasures off the walls of the old video rental stores in the 80s. At my last book signing, I told my attendees about being 14 and 15 and having an “in” at our shop who we bribed with snacks to smuggle us the hardcore heavy horror our parents forbade us from seeing. Thus we would come home with Pieces inside a case marked for The Goonies or Cannibal Holocaust stashed inside a case for Tron. Truly. The good ol’ days.
Image courtesy of the public domain
–Ray Van Horn, Jr.

I’m extra giddy to share the gnarly cover art for my next horror collection, Bringing in the Creeps, from the inimitable Matt Slay. 11 more tales of terror from yours truly coming soon from Anuci Press. Let’s get creepy!
–Ray Van Horn, Jr.

Now we can debate the argument of sanctity versus commercialized manufacturing when it comes to gift giving holidays like Christmas and Easter. We can even take the neutral ground and call it bird-in-hand, unlike Valentine’s Day, which is pure fabrication and perhaps and the most shameless money grab of any holiday. In terms of the Christian faith, we can liken the gesture of gift giving as a symbolic remembrance in ongoing adoration of the messiah. Even if there’s nothing devout about giving your kid a $600.00 PS5 or your significant other a $42,000.00 vehicle on Christmas Day.
Diatribe over. For those celebrating Easter with reverence and rejoicing, peace be with you and may you take solace in the gaiety of Spring colors and warm moments spent amongst family. For those of you beating feet this weekend to procure flowers, egg dye and sugary wonder affixed to names you hear more in this season than the rest of the year (i.e. Cadbury, Mary Sue, Bracht’s, Palmer, Peeps and Lindt), may you do so with a spring in your step as personified Easter bunnies and may you find smiles over artificial grass sprouting inside your kids’ Easter baskets.

In 1978, you never saw a more thunderstruck child on Easter Sunday than me to find a basket from my folks, loaded with chocolate eggs, jellybeans, a tall Palmer chocolate bunny and…a Kenner toy Star Wars X-Wing Fighter plane.
It remains an unprecedented Easter gift I’ll always cherish, even if I no longer have the toy. Any child who was there when the original Star Wars played in 1977, then brought back to theaters a year later can get the significance of this most righteous gift. The greatest moment of my childhood was age seven, seeing Star Wars: A New Hope upon release, and again for the return engagement. I was submerged into Star Wars. I had all the original run of action figures and the original figure storage case. I had Luke Skywalker’s land speeder. I had a TIE fighter. I had Star Wars comic books, magazines, trading cards, Burger King glasses and the two LP score from John Williams, which I played nearly every day for months. I had Star Wars bed linen and curtains, which I’ve since passed down to my son. Later in 1978, I’d have the holy grail of Star Wars toys: the Death Star playset (which I did recover a couple years ago, huzzah).

But the X-Wing? You never saw such gratitude, not just my repetitive thank yous, but from taking that toy with me on Easter morning to show off. Inserting Luke in his orange Rebel Alliance pilot uniform into my new treasure (action figures sold separately, of course), I ran around the house swooping it. I did the same at my grandparents’ place, whooshing it from one end of their old Cape Cod to the other with the family chattering away and snickering at my emphatic playtime. I can still smell the ham, corn and lima beans from their stifling kitchen. You pushed down on R2D2’s blue and silver dome behind the cockpit to snap open the closed wings to form the “X,” as it did to much slower effect in the movie. You pushed a button in the back of the X-Wing to trigger a buzzer and a lighting of a tiny red light at the fore of the spaceship, denoting a laser fire.
Only the spectacular rumbling chariot race scene in Ben-Hur, a family Easter viewing tradition for most of my life, could ground me from my doings in a pretend galaxy far, far away. Even when we’d gone home after family dinner and settled in for the commercial interrupted marathon of The Ten Commandments on ABC (another annual family custom at Easter), I kept the X-Wing landed inside my lap. It was a day which belonged to Mark Hammill as much as Charlton Heston.
Only the time I got nothing but comic books inside an Easter basket later in life could compare.
–Ray Van Horn, Jr.

–Image courtesy of the public domain

Very soon, I will be bringing you 11 more tales of terror with Bringing in the Creeps, and in one of those stories, I set out to honor the people and generation which raised and inspired me. Set in 1957, I conjure a Greaser Stew with bits of Rebel Without a Cause, The Wild One, American Graffiti and Stephen King’s Sometimes They Come Back. This was a highly emotional story for me to write as I treated it like my absolute duty to get it right. I came close to sobbing at my desk once I felt it was hopefully a winning formula. Coming your way in a game of death behind the wheel, “Chickeerun,” from Bringing in the Creeps.
–Ray Van Horn, Jr.

I have had the pleasure of reconnecting with many people in the past couple weeks and there are others I owe follow-ups to. It has me thinking of my time writing in the music industry as I fight to build this new identity as a horror author. Which was always my goal since my late teens, taking numerous wonderful detours in other avenues to build my rep.
I’ve preached it before and I’ll do so again. Your network is everything and always do someone a solid as often as you can, never with the intention of getting one back. When you are honest with yourself and with others and you give where you can, it’s astonishing how the universe drops goodwill back into your lap.
Right now, I was given some tremendous advice from a colleague as I beat my brains out trying to market my books. I turn, I was solicited by a friend looking for advice on how to navigate the music industry as a newbie. I was glad to give, in my limited capacity. It was how I rose to the level of success I enjoyed covering music and film. You do the solid, build the network, be genuine. Be cool.
What I have to tell myself, and yesterday was a big reminder day filled with doubt and self-chastising, is I need solids as much as anyone trying to do something artistic. Yet the opportunity to give solids never dwindles and i am happy to do so when i have the capacity. Or if I have a better connection to direct someone to.
It’s the same as any business model. Network, do a solid, be the best you can, show integrity and keep the self-chastising in check. I am incredibly blessed, no matter the slow rebuild, because of my network and those who do me a solid. I promise I recognize and treasure each solid I’m given, because we’re all on the same journey, when you break it down properly.
–Ray Van Horn, Jr.
Here’s your earworm of the day, because it hasn’t stopped wriggling inside mine since yesterday. I have memories of being a child and my mother playing the Captain & Tennille in the mid 1970s on vinyl and of course, there’d they be again, on AM radio, which was still hip then.
Funny to watch this thing now, since lip synching was the norm for decades on musical variety shows. Where’s the drummer and bass guitar player? Hmmm. Well, still easy to fall in love with that dusty bob and those glittery teeth with the ultimate pop candy of the day with more sugar than a bowl of Boo Berry cereal.
You’re welcome.
–Ray Van Horn, Jr.

Baseball is in full swing and while I was a pretty lousy player in my short time except fielding second base (football was where I excelled), I have had a lifelong passion for the game. One of the 10 tales of terror inside my collection Behind the Shadows is “Backdoor Breaker,” where Creepshow meets baseball in the heat a game. All-Star first baseman Jake Puzzella did a rival dirty and he’s about to face retribution on a field of screams.
Behind the Shadows from Raw Earth Ink. Grab your copy today at Amazon, Barnes and Noble.com, Lulu and digitally at Kindle, Kobo and Nook! Reviews are appreciated!
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